Pauline Boudry/Renate Lorenz:
A Portrait
폴린 부드리/레나테 로렌츠:
초상

18 July - 23 November, 2024
Leeum Museum of Art, Seoul

A Portrait, 2024, single-channel video, 32:9, 22 min. 

Performance by Jimmy Robert, Werner Hirsch, Julie Cunningham, Trajal Harrell, Aérea Negrot, Klara Líden, Peaches, Ming Wong
Commissioned by Leeum Museum of Art. With the support of BAK, Bundesamt für Kultur Austria. 
Courtesy of Marcelle Alix, Paris, Ellen de Bruijne Projects, Amsterdam.

Artist Talk (18 July, 2024)

Leeum Museum of Art presents A Portrait by Pauline Boudry / Renate Lorenz, a new commission for the lobby’s Media Wall. The film features eight choreographers, artists, and musicians. Each enters the scene against the backdrop of a giant black faux leather curtain, arriving at a simple chair to perform a portrait. The artists experiment with ways of appearing in front of a camera. Do we see a person performing feelings, or do we see a performer's personal feelings? Do we see a person’s gestures or a performer’s movements? Mobilizing lessons from queer underground performances, the (in)visibilities of these portraits undermine the distinction between performing and being, between props and bodies. Glamorous and vulnerable, silent yet unapologetic, the individual portraits show a glimpse of a radical difference that resists description. 

Shown on an LED screen with an outstanding presence at the museum’s lobby, the majestic curtain—Curtain Piece (Disobedient) (2023)—not only is a background and a sculptural work from the video but also renders the lobby space into a temporary and conceptual stage. The film draws the audience into a precarious terrain where different modes of being—simply being present on site, engaging in the work, themselves becoming performers—coincide. 

리움미술관 미디어월 커미션 작품인 폴린 부드리/레나테 로렌츠의 〈초상〉에는 안무가, 미술작가, 음악가 등으로 활동하는 여덟 명의 퍼포머가 차례로 등장한다. 각 인물은 거대한 검은 인조 가죽 커튼 앞에 놓인 소박한 의자에 앉아 움직이는 초상을 수행한다. 이 영상은 카메라 앞에 서 보이는 여러 양식을 실험하며 질문한다. 이 인물이 보이는 감정은 연기일까 진솔한 것일까? 이것은 한 사람의 자연스러운 몸짓일까 퍼포머의 동작일까? 이 작품이 구사하는 (불)투명성은  퀴어 언더그라운드 공연으로부터 영감을 받은 것으로, 퍼포먼스와 존재하기, 소품과 몸의 경계를 부식시킨다. 매혹적이면서 취약한, 말없이 중층적인 의미를 소통하는 각 초상은 섣부른 규정과 설명에 저항하는 급진적인 차이를 모색한다. 


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